Part of MAD’s “Materials & Process” Series, Exhibition Features New and Recent Installations, Sculptures, and Furniture by Maarten Baas, Sebastian Errazuriz,
Sarah Oppenheimer, Martin Puryear, and Ai Wei Wei, Among Others
New York, NY (September 13, 2012)
Featuring more than 75 installations, sculptures, furniture, and objects, Against the Grain: Wood in Contemporary Craft and Design explores the most cutting-edge conceptual and technical trends in woodworking today. Opening March 19, 2013, at the Museum of Arts and Design, the exhibition emphasizes the way artists, designers, and craftspeople have incorporated modernist approaches and strategies into woodworking—deconstructing vessel shapes, playing on the relationship between function and form, and utilizing woodturning and furniture techniques in the creation of sculpture. The works, all created since 2000, challenge traditional applications of wood within the design and craft worlds, and exemplify the wide-ranging, frequently unexpected, approaches to the medium by contemporary artists and designers. The exhibition made its premiere at the Mint Museum in September 2012, and following MAD’s presentation will travel nationally.
“Against the Grain is a complete immersion into the seemingly limitless world of contemporary woodworking, an imaginative experience where function is subsumed by fantastical forms and textures,” Holly Hotchner, MAD’s Nanette L. Laitman Director. “The creators featured in the exhibition exemplify the innovative practice that MAD is dedicated to supporting and bringing to the fore. Their work defies clear categorization and draws together traditionally disparate themes, ideas, and techniques into stunning and surprising works of art.”
Organized by MAD Curator Lowery Stokes Sims, Against the Grain is part of MAD’s ongoing “Materials & Process” series, dedicated to exploring contemporary innovations in traditional techniques and materials, and highlights the tremendous creative energy and fresh thinking that creators are bringing to wood today. The exhibition features 57 artists and designers from around the world, including influential sculptors Ursula von Rydingsvard, Courtney Smith, and Martin Puryear, who will display one of his furniture pieces for the first time; installation artists Gary Carsley, Sarah Oppenheimer and Alison Elizabeth Taylor; designers Maarten Baas, Sebastian Errazuriz, and Pablo Reinoso; and studio wood artists Wendell Castle, Bud Latven, Andrew Early, and Hunt Clark, among others.
“Wood is a ubiquitous material and a medium of basic function as well as tremendous versatility. In the last several decades, artists have truly begun to test its creative boundaries, expressing and expanding wood’s aesthetic and conceptual possibilities,” says Sims. “The artists featured in Against the Grain represent the forward-thinking approach that has spurred the medium’s renaissance.”
The featured works fall into seven thematic designations that encapsulate the breadth of creative production in wood. Many of the artists and designers are inspired by wood’s most natural state as trees, utilizing branches, logs, and planks and creating works that draw upon the wood’s grains, textures, and patterns. Others fuse a variety of wood elements together to create distinctly new visual forms, producing a more powerful experience than the individual parts might allow. Digital techniques have also transformed woodworking, allowing creators to manipulate materials and produce illusions that were previously impossible. The use of wood as a material to convey political and social content as well as humor and visual puns has also grown and been refined as artists experiment with the medium. Additionally, environmental issues will be woven throughout the exhibition as increased ecological consciousness is implicit in the work of all contemporary woodworkers.
Highlights from the exhibition include the following works:
EXHIBITION ORGANIZATION, CREDITS, AND TOUR
Against the Grain: Wood in Contemporary Craft and Design is organized the Museum of Arts and Design and curated by Lowery Stokes Sims, Charles Bronfman International Curator at the Museum of Arts and Design, assisted by Elizabeth Edwards Kirrane, Assistant Curator at MAD and project manager for the exhibition.
The exhibition tour includes the Mint Museum, Charlotte, NC (September 1, 2012—January 27, 2013), Museum of Arts and Design, New York, NY (March 19—May 2013).
CATALOGUE
The catalogue, published by Monacelli Press, will include essays by Sims, who will write on the conceptual framework of the exhibition, Kirrane who will chronicle how history, environmental issues and politics have predicated the use of various woods, and noted writer on art and craft Suzanne Ramljak, who will examine the enduring preoccupation with wood in human cultures.
ABOUT THE MUSEUM OF ARTS AND DESIGN
The Museum of Arts and Design explores the blur zone between art, design, and craft today. The Museum focuses on contemporary creativity and the ways in which artists and designers from around the world transform materials through processes ranging from the artisanal to digital. The Museum’s exhibition program explores and illuminates issues and ideas, highlights creativity and craftsmanship, and celebrates the limitless potential of materials and techniques when used by gifted and innovative artists. MAD’s permanent collection is global in scope and focuses on art, craft, and design from 1950 to the present day. At the center of the Museum’s mission is education. The Museum’s dynamic new facility features classrooms and studios for master classes, seminars, and workshops for students, families, and adults. Three open artist studios engage visitors in the creative processes of artists at work and enhance the exhibition programs. Lectures, films, performances, and symposia related to the Museum’s collection and topical subjects affecting the world of contemporary art, craft, and design are held in a renovated 144-seat auditorium.
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