Press Room

Luxury Brand CEOs and International Academics Will Debate the Present and Future of Luxury Crafts

New York, NY (September 18, 2014)

Luxury in Today’s Society: Between Excellence and Excess, a half-day program by the Museum of Arts and Design (MAD) and by La Fondazione NY, will gather luxury brand CEOs and international academics to discuss and debate luxury’s position today and map out a vision of luxury for the future. Moderated by Elizabeth Paton, US Fashion and Luxury Correspondent for the Financial Times, the program brings together an influential circle of experts, including Alberto Milani, CEO of Buccelatti in the US; and Enrico Libani, the US co-founder and CEO of Cesare Attolini, the exclusive Neapolitan menswear brand that opened a Madison Avenue flagship in 2012. They will be joined by professors of sociology, philosophy, and business from Columbia University, NYU, and Milano-Bicocca University, as well as by the authors of the just published Real Luxury: How Luxury Brands Can Create Value for the Long Term (Palgrave Macmillan).

“The luxury sector has been an important arena for the preservation of traditional skills, as well as for technological advances since the middle ages,” says Glenn Adamson, the Museum of Arts and Design’s Director. “The history of luxury is intertwined with many other subjects such as the early development of mass production; the refinement of electricity and domestic appliances; the expansion of rail, car and air travel; and cross-disciplinary experimentation in contemporary fine art.”

Both celebrated and controversial throughout history, luxury goods have simultaneously acted as personal keepsakes, cultural artifacts collected by museums, and symbols of privilege. Often examples of the highest skill and craftsmanship possible, these items have supported the development of new possibilities, but also raise questions of society's attitude towards success, wealth, leadership and progress. The luxury business has been transformed by two decades of rapid growth, and by the technological change, globalization and economic winds that have swept across society. So what does luxury – that most alluring and emotional of product categories – look like today? How are the public’s expectations and understanding of it changing? How are luxury brands responding?

"The concept of luxury depends on context," says Riccardo Viale, Chairman of La Fondazione NY, which supports cultural exchange between Italy and the US. "As societies in the West become more reflective and focus more on ethics, luxury means timelessness, artisanal quality and heritage as well as social and environmental sustainability."

Indeed, many forces are putting pressure on luxury to find new forms of expression and value. In luxury’s traditional markets, notably Europe, the US and Japan, people are more aware of how the pursuit of prosperity has actually eroded the feeling of well-being. Meanwhile, in newer markets, like China, customers are demanding luxury that offers meaning beyond the logo.  Whether it chooses to or not, luxury plays an important role as an embodiment of what people consider worth striving towards, which is both evolving and fragmenting as people increasingly pursue their own definitions of success. This undermines luxury brands’ ability to hold themselves up as a universal target of aspiration. And it means looking beyond business and marketing practice to understand the sociological context within which luxury must maintain its relevance.

MAD and La Fondazione NY are in a unique position to explore the present and future of luxury. MAD champions contemporary artists, designers and artisans, and provides an international platform for practitioners who are influencing the direction of cultural production and driving 21st-century innovation. Meanwhile, La Fondazione NY is uniquely placed at the intersection of important influences on luxury, with Italy being home to both historic and contemporary luxury houses and the birthplace of the Slow Movement, which promotes the artisanal culture and vision endemic to luxury.

“Luxury in Today’s Society will certainly become a reference point,” says Adamson. “While European scholars have made great strides in the analysis of luxury recently, this will be the first conference here in the USA to address the present and future of luxury crafts, from both professional and academic perspectives. At the event, we expect both insiders to the sector and respected outsiders to get beyond the surface glitter of luxury and mine its depths.”

Luxury in Today’s Society: Between Excellence and Excess will take place on Saturday, September 27, 2014 at 3:00pm at the Museum of Arts and Design, 2 Columbus Circle. Admission is free.

Luxury in Today’s Society: Between Excellence and Excess 

Saturday, September 27, 2014
3:00pm to 6:00pm

Museum of Arts and Design
2 Columbus Circle, New York, NY 10019

Free admission

http://madmuseum.org/events/luxury-today’s-society-between-excellence-and-excess

http://lafondazioneny.org/event/mind-of-luxury-luxury-of-mind

ABOUT LA FONDAZIONE NY
La Fondazione NY is a public charity, incorporated in New York, aimed at supporting young Italian artists by promoting their integration in the American cultural landscape. Similarly, La Fondazione NY supports young American artists, providing access to highly regarded training opportunities in Italy. Moreover, La Fondazione NY organizes exhibits, translation projects, audiovisual shows, conferences and other cultural events, both in Italy and in the US; such events highlight the principle of cultural cooperation between the two countries.

ABOUT THE MUSEUM OF ARTS AND DESIGN
The Museum of Arts and Design (MAD) champions contemporary makers across creative fields—presenting artists, designers, and artisans who apply the highest level of ingenuity and skill to their work. Since the Museum’s founding in 1956 by philanthropist and visionary Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving 21^st-century innovation, fostering a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design.