Dir. Lars von Trier
1998, 114 min
With Bodil Jørgensen and Jens Albinus
Among the first feature films to be entirely shot on digital cameras, Lars von Trier’s The Idiots (Idioterne) was the second film to become an official Dogme 95 film. With von Trier’s trademark mix of sensation and sensitivity, The Idiots (Idioterne) follows a Danish group of anti-bourgeois adults who strive to connect with their “inner idiot” and thus release their inhibitions. When Karen (Bodil Jørgensen) witnesses a group of the “idiots” acting out in a restaurant, she is taken in by the excitement of acting against the norm, and decides to join their commune and attempt to release herself from the pressures of her middle-class existence.
Filmed through an expansive improvisation process, and with the cast and crew living in a commune during filming, The Idiots (Idioterne) creates a tongue-in-cheek reflection of the limitations of midcentury European counterculture movements and their legacy on today’s society.
