An interactive exhibit exploring the role of museums, curators, and the general public in validating what is and what is not design, Museum as Plinth: Take One/Leave One stages a “take and leave” shelf of objects in the MAD lobby.
In this afternoon-long hands-on workshop, students will draw inspiration from the both high and lowbrow world of rhinestones to create one-of-a-kind wearable jewelry.
Leveraging the limitations of communication platforms and protocols that catalyze and evolve meaning, force misunderstandings, and reveal ineffable themes that transcend verbal communication or clear explanation, artist/designer Keetra Dean Dixon creates a series of in-person participatory open studies that explore how these mediums affect text-based exchange.
This afternoon drop-in, hands-on making salon gives novices and experts alike the chance to handcraft their own jewelry.
Create your own rank in this daylong hands-on making workshop that explores the classic shoulder emblem, the epaulette.
Leveraging the limitations of communication platforms and protocols that catalyze and evolve meaning, force misunderstandings, and reveal ineffable themes that transcend verbal communication or clear explanation, artist/designer Keetra Dean Dixon creates a series of in-person participatory open studies that explore how these mediums affect text-based exchange.
Over the course of this afternoon-long drop-in, hands-on making salon join Debra Rapoport of Advanced Style as she helps you transform the passage of time into exquisite necklaces.
In this afternoon-long hands-on making workshop, participants will work with different varieties of fabrics to create dramatic sculptural neckpieces and bold collars.
Reflecting the many facets of a single experience, this drop-in, hands-on making salon explores beadwork in jewelry as not only an aesthetic art form, but a wearable tapestry of a personal moment. J
50 Years of Contemporary Glass
Wood in Contemporary Art, Craft and Design
join our email list